Essay on Innovation and Traditionalism in Art - 3376 Words

I am sure that we have all, at one time or another, noticed that almost any discussion concerning the merits and demerits of art, if it goes on long enough will come to the qualities of innovation and traditionalism in regards to aesthetic value. As soon as these two qualities are mentioned, there comes an inevitable forming up of those who favor innovation and deride tradition and those who favor tradition and deride innovation. Either side usually admits only enough merit to their opposition, and limitation of their own view, to make themselves seem reasonable and objective: but the bulk of their effort goes into savaging their opponents and extolling the ultimately ascendant nature of their position. I am inclined to take neither†¦show more content†¦For many people, the most damning denunciation they can make of a work of art is that it is, in some way, stale, antiquated, or outmoded. They will note how this feature has been borrowed, how that aspect has been done before , and how the entire work lacks freshness, originality, and creativeness. These sorts of people are not necessarily wrong for saying such things, but they are wrong for leaving their criticism at that, for it is simply not enough. What is implied in many of these people’s demands for freshness, originality and so on, though they would never say it explicitly, is a fascination with novelty. A few, if cornered, might defend a taste for novelty by saying that something, because it is novel, takes their aesthetic experience beyond where it had been before, and thereby expands their understanding of art and themselves. There is a grain of truth in this, but a second explanation seems more likely, and far more damning. If someone displays a taste for art which is novel, it indicates that art which preceded the novelty possessed only a passing transient value, and art which now seems novel will also, most likely, be passing and transient, for its only real attraction to this sort of person is that it is new, and, as we have seen, this will soon pass. However, many of us are inclined to believe that aesthetic values are something eternal,Show MoreRelatedAnalysis Of Consuelo Vanderbilt s The Glitter And The Gold 1613 Words   |  7 Pagesclearly the influence of one of England’s closest neighbours. As for dinner, sometimes ortolans from France would be served. While influence from France played an important role in aspects of the country house that was not limited to their taste in art, another international influence came from parts of the English empire itself, such as when the more exotic quails from Egypt would also be brought in to hunt and eat. In addition, at the end of dinner, an array of exotic and commonplace fruits suchRead MoreAcademic Contributions Of Universities And Universities927 Words   |  4 Pageshostels for scholars who needed funding to go to a university. They were soon used for academic lectures like a class at a university. Co lleges grew very rich throughout the areas that they were located in. Colleges controlled the teaching of liberal arts and became institutions that aided to the sons of the privileged classes rather than the international community of students. 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The grammar of the steps

Disruptive Mood Of Disorder ( Dsm ) V For Combat Possible...

Disruptive Mood Dysregulation Disorder (DMDD) is a diagnosis created for the Diagnostic Standards Manual (DSM) V to combat possible overdiagnosis of childhood Bipolar Disorder. Incidence of childhood Bipolar Disorder diagnosis has increased significantly in recent decades (Margulies, Weintraub, Basile, Grover, and Carlson, 2012). The DSM IV included a category called â€Å"Bipolar Disorder Not Otherwise Specified†, which may have been applied to children that would now be better classified with Disruptive Mood Dysregulation Disorder. These children have significant impairments related to their mood regulation especially related to irritability that is not fully explained by bipolar criteria. Doctors may have diagnosed children inappropriately†¦show more content†¦The proponents for DMDD claim that it is helpful to reduce overdiagnosis of childhood Bipolar Disorder and will help children with extreme mood outbursts get the clinical assistance and care they need. The diagnosis of DMDD is housed under the Depressive Disorders section of the new DSM V (American Psychological Association, 2013). In order to qualify for a diagnosis of DMDD, the child must experience extreme temper outbursts that are grossly out of proportion to the triggering event. The outbursts must be out of character for their current age, and occur three or more times a week. The child must also experience observable chronic irritability every day, in between temper outbursts. This criteria must hold true for at least twelve months and the child must not go more than three months without experiencing these symptoms. In addition, the temper outbursts and chronic irritability has to be manifested in at least two environments and are severe for at least one. The diagnosis cannot be made before the child is 6 or after age 18, and the age of onset must occur before 10 years old. The child cannot have had a manic or hypomanic episode for more than a day, and the behavior cannot t ake place during a major depressive episode or be explained by certain other disorders. The behavior should not be attributed to any physiological or medical conditions, or be substance induced. DMDD also cannot occur with the

The Secret Circle The Hunt Chapter 17 Free Essays

Using the driving directions she had found on Adam’s computer, Cassie arrived in Stockbridge just after sunset. The Mission House was hard to miss once she had crossed the bridge. It was an old gray house in terrible disrepair with crooked wooden shutters and moss lurking up its facade – just how it had looked in the water of the location spell. We will write a custom essay sample on The Secret Circle: The Hunt Chapter 17 or any similar topic only for you Order Now And just as she saw it in the spell, the house was surrounded by a pointed iron gate. Cassie found it was low enough to pull herself up and over it without difficulty. She landed with both feet upon the spongy mud of the side yard and began exploring the fenced-in property. Cassie walked the perimeter, figuring out all her options for entering the house – and also for escape. As far as she could tell, there were three doors – one in front, one at the back, and one on the side of the house. All of them looked shoddy, flimsy, and easy to open, but the back door wasn’t even latched closed. It creaked open in the faint breeze. Cassie let herself inside quietly and then waited for her intuition to alert her to where Adam was. She closed her eyes and centered her energy, calling him with her mind. But then she heard something in the main room. It was a wispy, delicate sound – the wrinkling bend of pages turning. Cassie followed it down a long, musty hallway. The sound echoed periodically, guiding her through the dark and across the dusty hardwood floor. It led her right to the threshold of the main room. It was a carelessly-laid-out space filled with what looked like secondhand furniture. Everything was mismatched, as if the owner had just left all the odds and ends he didn’t want in one room before abandoning the place. Adam was there, standing before Scarlett, breathing heavily. â€Å"I brought you your father’s Book of Shadows,† he said. â€Å"What more do you want from me? I have nothing else to offer.† The book. Cassie thought she had recognized its call, and now her worst fear was confirmed. Adam must have taken the book from her room. He was the only one who knew where it was hidden and where to find the key. The book’s worn leather cover looked even more sinister than usual in Scarlett’s pale hands, and Cassie’s insides stirred. That book was hers, just like Adam was hers. Scarlett leaned in close to Adam, so their faces were nearly touching. â€Å"I want from you exactly what you want from me.† Adam didn’t turn away. â€Å"All I want from you are the Master Tools,† he said, his mouth just centimeters from Scarlett’s. â€Å"Nothing else.† Cassie started to interrupt, to reveal herself, but stopped at the last moment. Adam was safe, for the time being. And in Cape Cod, Scarlett had the upper hand, but Cassie had the element of surprise. If Cassie could catch Scarlett at the right moment †¦ her mind started spinning with possibilities. â€Å"You’re lying.† Scarlett rested her hand on Adam’s chest and held it there. â€Å"But at least your heartbeat tells the truth.† Adam stepped back, swatting Scarlett’s hand from his body. â€Å"I know the Tools are here somewhere. If you’re not willing to hand them over, I’ll find them myself.† He turned toward a chest of drawers, then to the closet. â€Å"I like you, Adam,† Scarlett said. â€Å"But that doesn’t mean I won’t hurt you. Do you honestly think I’m going to let you walk out of here with the Master Tools?† Adam ignored Scarlett’s warning and charged for the chest of drawers. â€Å"Fool,† Scarlett muttered, shaking her head. She shot Adam with a dark spell that brought him down to the floor. Cassie winced just watching it. â€Å"Why do you insist on defying me?† Scarlett’s hands hovered over Adam’s body, drawing a wounded shriek from his mouth. â€Å"This pain you’re feeling,† she said, â€Å"I want you to understand that it’s your own doing. You’re making me do this to you right now.† Adam cried out like an injured animal, clawing at the floor, trying to get away. â€Å"And if you make me destroy you,† Scarlett continued, â€Å"so be it.† She thrashed her fists and Adam squealed as if he’d been whipped. She did it again, and then again. Each time, Adam screamed louder, begging for Scarlett to stop. Cassie couldn’t stand by and watch him being tortured for another second. She ran at Scarlett with outstretched hands and shouted, â€Å"Fragilis!† It was the same spell Scarlett had used on Cassie last time they fought. It was a black magic spell, but Cassie knew how to perform it now. She had absorbed it somehow these past few weeks. Before Scarlett even knew what hit her, she fell to the floor beside Adam, like all the energy had drained out of her body. She struggled to lift her head, to see who’d blindsided her in her own hideout. Cassie turned to Adam and yelled, â€Å"Get out of here!† But the moment he was up on his feet, Scarlett recited a line, â€Å"Hoc funem est carcerem,† and Adam flew backward onto the wooden chair across from the sofa. The threads of the chair’s upholstery unraveled in thick ropes and tied Adam tightly in place. â€Å"Really, Cassie,† Scarlett said, standing. â€Å"You didn’t think it would be that easy, did you?† She raised her arms and focused on Cassie, but Cassie beat her to the punch. â€Å"Cadunt,† Cassie commanded. Scarlett dropped to her knees again, and then tipped over onto the ground. She fell straight-limbed and unyielding in one swift motion, the way a tree goes down in the forest. â€Å"What were you saying about this being easy?† Cassie quipped. Scarlett lay unmoving flat on her back. â€Å"Untie me, Cassie!† Adam screamed. â€Å"We need to get out of here.† Cassie pretended not to hear him. At the moment she could have easily freed Adam from the ropes without even using her hands. A simple unraveling spell would have done it. But being tied up is what kept Adam safe and out of the crossfire. This fight was between her and her sister, and she was prepared to finish it right then and there. Cassie yelled over to where Scarlett was lying on the floor. â€Å"Have you had enough yet? Or should we keep going? Because I’m just getting warmed up.† Scarlett refused to surrender. The defense spell she hollered out sounded like a cry for help, or a plea to her own body. â€Å"Oriuntur,† Scarlett demanded, and she used every bit of strength she had to stand up again. The book, though, Cassie noticed – her book – had slipped from Scarlett’s grasp. Cassie thrust her charged fingers toward its pages and called to it, â€Å"Mihi venit!† To Scarlett’s surprise, and much to her own, the book quivered and rose up from the floor until it was eye-level with Cassie. Then it floated across the room like a leaf caught in the wind, right into Cassie’s outstretched hands. Cassie gripped the book’s soft cover and hugged it close to her chest. Scarlett desperately cast her trembling fingers at Cassie again. â€Å"Praestrangulo,† she screamed. â€Å"Caecitas!† She was frantic, trying every spell she knew. But Cassie had the upper hand now. â€Å"Divorsus,† Cassie said calmly. A simple wave of her arm blocked all of Scarlett’s feeble spells. With her father’s book in hand, Cassie understood where her new power was coming from. Somehow, it had seeped into her veins those past weeks; Black John’s spells were now hers. She could feel the book’s power coursing through her. This was right. It was Scarlett who had to go. â€Å"And I thought you were going to put up a fight,† Cassie said, egging Scarlett on. â€Å"I mistook you for a worthy opponent.† Scarlett was running out of options. Barely able to stand, exhausted from casting too many spells, she momentarily glanced at the shallow closet closed off from the room by two folding doors. The quick look wasn’t lost on Cassie. â€Å"Hmm,† she said, turning to face the closet. â€Å"I wonder what’s in there. Could it be my Tools? The ones you stole from me?† Scarlett’s eyes widened, and she dashed for the closet doors. â€Å"Desiccare!† Cassie shouted. Scarlett dropped to the floor once more. Her legs and arms stiffened like the limbs of a corpse. â€Å"I guess that answers that.† Cassie casually walked over to Scarlett. She watched the spell collapse Scarlett’s spine and wrinkle its way up the length of Scarlett’s neck. â€Å"Cassie!† Adam cried out desperately. â€Å"Untie me, now!† Finally Scarlett’s face succumbed to the spell. It dried and shriveled like a preserved peach, then turned gray and ashen – motionless as a mask, except for her eyes, which darted frantically back and forth. â€Å"You know this already,† Cassie said. â€Å"But I’ll remind you again just this once. The Master Tools belong to me. And from now on, they answer only to me. And that boy over there?† She gestured to Adam. â€Å"He’s mine.† Scarlett’s dark eyes slowed to a stop, hardening to a stony gray that matched the rest of her desiccated body. Cassie grinned. â€Å"Who do you think is Daddy’s favorite now? I’ll give you a hint: It’s not you.† â€Å"Cassie,† Adam called to her, but he sounded far away, as if he were at the opposite end of a long tunnel. She knew he was there in the room with her, but at the moment he seemed small and unimportant. He may as well have not been there at all. â€Å"You’re nothing,† Cassie said to Scarlett. â€Å"Nothing.† Cassie felt invincible. She could destroy Scarlett so easily now. She suddenly knew the right words. They came to her strikingly from deep within her gut. She could taste them, bitter like licorice on her tongue: I maledicentibus vobis in mortem. I curse you to death. How to cite The Secret Circle: The Hunt Chapter 17, Essay examples

The Change of Heavy Metal Music free essay sample

It started out in the 8(Yes with glam or thrash metal, then onto the asss with alternative or nu metal, and now in the sasss, death or black metal was brought in. The end of the asss brought in bands such as Van Helen and Aerostatic, but as the asss began some heavy metal bands started a fashion trend called glam metal. Motley Cruel and W. AS. P. Are just two of the many bands. The band members had long hair, wore makeup and tight leather or spandex pants and boots. The music was about being wild and care-free.The other sub-genre that was introduced was called thrash metal. These bands played faster and more aggressive. Bands such as Megalith, Anthrax and Metallic had many fans and still do today. My brother introduced me to Metallic in 1989. I fell in love with their sound. Now own all of their albums and consider myself a true, die-hard fan. We will write a custom essay sample on The Change of Heavy Metal Music or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page As the new decade came in, I didnt listen to a lot of heavy metal, but when I did, I could tell there were some changes. New forms of heavy metal started to develop in the asss.One of the new forms was called alternative metal. The sound combined thrash and grunge rock with hip-hop and industrial music. The other form of heavy metal is called nu metal, shortened from new metal. This form mixed the rap/hip hop style singing with metal music. Some of the bands included synthesizers ND other electronic instruments. Bands such as Link park and Slipknot became very successful, made a lot of money and are still in the music scene today. Drifting out of the asss and entering a new millennium, more sub-genres appear.They are called death metal and black metal, and both are a very angry, fast music. The songs from these two styles are much faster, louder and more aggressive. The singers dont sing, they growl or roar out the lyrics to make the song more intense, and for some people it is hard to understand. There are a couple of important styles of metal and that is power metal, a Tyler about fiction and epics like The Lord Of the Rings, and gothic metal, such as Evanescence, who have melancholy songs about abstract subjects like pain, life, death and faith.Even though heavy metal music has changed dramatically through the years, I still find myself enjoying the music. Think the only sub-genre of heavy metal I wont listen to is death or black metal. I like to know what the singers are saying. New heavy metal artists are finding their way in society and making their sound work. The one thing that will stick with me forever is that am a Metallic fan and that is never going to change. The Change of Heavy Metal Music free essay sample The Change of Heavy Metal Music I was blessed with a parent who gave me the freedom of listening to any kind of music I liked. The genre of music I listened to the most was rock music. There was always a diverse sound to the music. When I reached my teen years, I found a music that had a strong sound to it; I connected with it. That sound came from heavy metal music. Heavy metal has changed and opened up many new styles or sub-genres since it came out in the late asss and into the asss.It started out in the asss with glam r thrash metal, then into the offs with alternative or nu metal, and now in the sasss, death or black metal was brought in. The end of the asss brought in bands such as Van Helen and Aerostatic, but as the began some heavy metal bands started a fashion trend called glam metal. We will write a custom essay sample on The Change of Heavy Metal Music or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Motley Cruel and W. A. S. P. Are Just two of the many bands. The band members had long hair, wore makeup and tight leather or spandex pants and boots. The music was about being wild and care-free. The other sub-genre that was Introduced was called thrash metal. These bands played faster and more aggressive.Bands such as Megalith, Anthrax and Metallic had many fans and still do today. My brother introduced me to Metallic in 1989. I fell in love with their sound. I now own all of their albums and consider myself a true, die-hard fan. As the new decade came in, I didnt listen to a lot of heavy metal, but when I did, I could tell there were some changes. New forms of heavy metal started to develop in the asss. One of the new forms was called alternative metal. The sound combined thrash and grunge rock with hip- hop and Industrial music. The other form of heavy metal Is called nu metal, shortened from new metal.This form mixed the rap/help-hop style singing with metal music. Some of the bands Included synthesizers and other electronic instruments. Bands such as Link Park and Slipknot became very successful, made a lot of money and are still in the music scene today. Drifting out of the asss and entering a new millennium, more sub-genres appear. They are called death metal and black metal, and both are a very angry, fast music. The songs from these two styles are much faster, louder and more aggressive. The singers dont sing, they growl or roar out the lyrics to make the song more intense, and for some people it is hard to understand.There are a couple of important styles of metal and that is power metal, a style about fiction and epics like The Lord of the Rings, and gothic metal, such as Evanescence, who have melancholy songs about abstract subjects like pain, life, death and faith. Even though heavy metal music has changed dramatically through the years, I still find myself enjoying the music. I think the only sub-genre of heavy metal I wont listen to is death or black metal. I like to know what the singers are saying. New one thing that will stick with me forever is that I am a Metallic fan and that is never going to change.